Sunday, 5 October 2025

Spacebound Hearts - Chapter Two: Rescuing The Falcon by Adam Rutter

 

Parked inside a crater was a spacecraft of sleek design, floating on a gigantic asteroid; floating among millions of space rocks. On-board was a young woman of college age. Out in deep space, the beacon was chirping like crickets, struggling to cut through the noise in the galaxy, which was still audible to the woman. The beacon was muffled by sizzling noises mingled with snaps and crackles from background radiation left over by the imploded wormhole. She amplified the beacon and the interference from the radiation was suppressed. The beacon was not transmitted from a pulsar. It was too artificial to be radio waves emitted from a natural source in the cosmos. She knew that the beacon had been sent from an intelligence in an unknown part of the universe. The urgency of the beacon suggests to her that someone was in danger, someone who was out there – alone.

Emerging from the blackness of space was a light object spinning at high velocity, flying towards the asteroid field. It was The Falcon heading for a collision course. To crash into one of these wandering boulders on impact would be devastating. Asteroids in this region of space were planetary icebergs drifting unpredictably, crossing a ship’s path that were unfortunate enough to run into one. She locked onto The Falcon with crosshairs, combining peripheral vision with radar, an extension to her senses. Her humanoid brain was connected to the quantum computer, enhancing her physical senses, providing optimal efficiency for her neural pathways. The quantum computer helped her to overcome language barriers whenever she came into contact with extra-terrestrials by analysing speech patterns and processing vocal pitch. This facilitated communication problems with various civilizations while she was on interstellar vacation.

By comprising augmented reality with a real scenario, she tracked The Falcon’s progress in real time, watching the doomed spacecraft drawing closer, close enough to avoid a terrible collision. There was something following behind it. The shockwaves. Expanding wider and becoming weaker as it tore through deep space, there was still a lot of power to cause a certain amount of destruction to anything caught in its wake.

She gave the command, ‘Activate the trailer-ray’.

A ray of light stretched out from her spacecraft to The Falcon like a rope, stopping it in mid-flight. The shockwaves were a deadly tsunami ripping through this star system.

‘Fire all thrusters’, she commanded.

Jets of white smoke shot down, lifting the spacecraft out of the crater. Aft thrusters fired and the large asteroid fell away tugging The Falcon along with the escorted spacecraft. She weaved through the asteroid labyrinth, swerving round monsters and ducking under huge blocks. The shockwaves smashed into the asteroids. Rocky fragments flew out in all directions, lethal projectiles shooting across one another like missiles. The cabin trembled. The asteroid field was a minefield, bits of rocky canons firing around the spacecraft. Even the tiniest fragment would be enough to cause significant damage to the two vessels if they were hit by a particle the size of a grain of sand. Every lump of rock struck against each other like billiard balls, which had become hazardous to navigate.

The computer said, ‘Impact in fifteen second’.

It was no longer a tournament. There was only one course of action. To angle the spacecraft and fly askew. It was the only way to leave the asteroid field as fast as she could. The constant barrage of fragments were like machine guns shooting upwards.

The woman said, ‘Go to light speed’.

Both vessels streaked across space, drawing a bright trail in the void. Stars whizzed past the cabin window, scattered rocks receded behind the speeding vessels, getting smaller and smaller. From a distance, the rocks were as small as gravel. They flung out of the star system, slipping into darkness. The terrible shockwaves energy dissipated, and vaporised.

‘Drop out of light speed’.

The vessels slowed to a cruise, moving smoothly like a barge on the canal. On the edge of interstellar space, the parent star was a tiny bright light shining among thousands of varying luminosity.

‘Full stop’.

The cruise stopped, engines lowered to a soft hum, the woman sank back into her padded seat, staring blankly out into eternal darkness; the weight of the mission rested her shoulders. The vacation had turned into a rescue operation. She had neither anticipated this, nor  dreamed of a sudden turn of events. Space travel came with risks. That, she should have anticipated. She had a responsibility. To save the pilot aboard The Falcon.

Slowly, she stood up, fingers trembling on the armrest. Moving with small, slow steps, she walked to the other side of the cabin, like a scared cat, eyes fixed on a spacesuit. This was the first time that she was about to step out into the airless void, first time for a young space traveler. She slipped into her spacesuit as easily as a pair of jeans.  She slid the helmet over her head, fastened it securely to the suit. The one sound heard in the noiseless universe – her breathing.

An extra supply of oxygen was attached to the spacesuit, an emergency reserve for the marooned pilot. She stared at the hatch above, contemplating on her mission outside the spacecraft, knowing that once she was out, there was every chance she might not make it back. A chance she was prepared to take.

‘Open the airlock’, she said.

The hatch slid open with a hiss, unveiling a blanket of stars that looked awesome, so terrifying to the inexperienced space traveler. At a height of 6’ 1”, she climbed out of the spacecraft with little effort. Out in space, out in zero gravity, she floated as freely as a coconut on an ocean. After rising a couple of meters above the craft, she turned to face The Falcon. The marooned vessel tilted like a sinking ship, as though submerged into the abyss. She programmed the computer to fire mini-rockets positioned around different sections of her spacesuit. The mini-rockets on the back of her heels and wrists blew out steam-like exhaust, pushing her forward, gliding along as if skating on ice. It boiled up feelings of excitement, terror, horror and ecstasy inside her. The Falcon grew bigger as she flew towards it.

The rockets fired for ten seconds, providing enough thrust to propel her towards The Falcon, fast enough to fly past it. She held her hands out in front, ready to grasp onto the vessel. She bounced off its hull, flying towards a wing. She grabbed the fin with one hand while trying to reach it with the other. While trying her hardest to keep a firm grip, trying to hold onto a thin part of the vessel was exhausting. When she brought her arm round, she gripped onto the fin with her other hand, holding herself steady. She swung her legs up; her feet landed on the bulk of the spacecraft. After letting go of the fin, she slid steadily down its hull, grabbing hold on anything to stop herself from floating away. Her hands pressed down on the spacecraft’s canopy while her legs held onto the curved glass, as though she were on horseback. Sliding her hands down the side of the canopy, she was feeling for the clasp. It would have been hard enough to find with bare hands, but to search for something as small and intricate while wearing gloves was even tougher. To open the canopy from the outside was hugely challenging. It was like looking for a needle in the cosmic haystack. Her hand slid over a join that secured the canopy onto the cockpit. The thick gloves were stiff, making it harder to open. She lifted her legs off the glass, pulling with both hands. Her arm muscles stiffened, tugging at the join. The canopy opened with a clunk, throwing her up like a ball. Hovering above The Falcon, facing downwards, she saw the pilot, unconscious. Exobiology was a subject that the young space traveler was studying. This was an opportunity to learn about the pilot’s people. It was clear to the traveler that the marooned pilot was a primate. But it was unlike any humanoid that she had encountered during her vacation. With so many countless civilizations in the galaxy and such a diversity of lifeforms, this had to come from a strange part of the universe.

All sorts of questions filled up in her mind, like an overflowing wash basin.

Where’s he from? Are there more like him here? Why is he here? What are his people like? Are they friendly? Aggressive? Let’s hope that this lost wanderer turns out to be a nice guy.

Wednesday, 1 October 2025

Autumn Sonnet for 2022 following the Commonwealth Games - but could also be for 2025 - by Elizabeth Obadina


 Summer ended in a blaze of glory

In a glitter of bronze, silver and gold.

Now news channels disgorge diff’rent stories

O’er wilted blooms for golden days grown cold.

Slate-grey thunder clouds swirl, dance and muster

Turbulent hurricanes, floods, and typhoons.

Autumnal tyrants and swindlers bluster

Howling old falsehoods to out of date tunes.

Whilst beech, hazel and chestnuts spill rich fruit

Nature slows, sighs and sleeps ‘neath the chill rain

And oak trees dump acorns hoping they’ll shoot

Into new trees should next spring bloom again. 

But first winter, which brews grim, ice-cold fears

Of earth lying frozen for a thousand years.

First published 3rd November 2022

Sunday, 28 September 2025

Lurcher Love by Irena Szirtes

Sometimes they visit my dreams –

My horse, a wisp of white, 

Steps through slits in

Eternity to soothe and settle 

My heart for a snatch 

Of linear time;


Now my lurcher, lying on a wall, 

So we’re at ease again in

Settled symbiosis, and she’s 

All leggy life-force, spry, 

Tuck-upped and tailored, 

Tamed yet temperamental, 

Slick-brained and sneaky 

As lurchers can be. 


She hijacked my dreams at daybreak, and

I stood by that wall, knew her soul again, 

While friends we should have 

Walked with passed by, and 

Heat closed my eyes as 

Our hearts re-melded. 


Once, she untangled love 

From turbulence, obedience 

From terror, till her 

Understated love loved 

Deeper than sea-bleached bones 


Then she jumped down. I awoke, 

And knew that if bodies die, love 

Deeper than bleached bones 

Thrives unrelenting, for once,

She confirmed my dog days 

Weren’t done, and reset a destiny 

Which might have been lost. 


She hijacked my dreams at daybreak, and 

I stood by that wall, knew her soul again, 

While friends we should have 

Walked with passed by, and 

Heat closed my eyes as 

Our hearts re-melded. 

Tuesday, 23 September 2025

September 2025 HTW Meeting

Bridgnorth Quayside - September Sunshine

Minutes of meeting held on Tuesday 23rd September 2025

6pm - 9pm at Peepo's Spirit Room

Present: Liz (chair), John, Jennie, Irena, Ruth, Adam, Sue, Michelle

Apologies: Suzie, Stuart, Marie, Kath, Andy, Fiona

We opened the meeting with a discussion about an earlier start time as Peepo's autumn closing time is 8pm. Phil says it's fine for us to stay until they lock up for the night - between 9 - 10pm. 

We will however adjust our starting time - 6.30pm for 7.0pm

We thanked Adventura aka Kath (in absentia) for managing to post a blog - whilst on holiday - about her cruise along the Danube delta and thanked Jennie for her 'Promise' story - Liz apologised for missing posting a blog from Irena. It will appear on Sunday 28th September. In August and September we have published one blog a week as opposed to at least one every other day from January to July this year. In October there is nothing scheduled. It's a significant drop. If people want to share their work, but find it difficult to do so, they can email it to hightownwriters@gmail.com and Liz will post it for them.

Kay shared details of a Poetry Slam she is organising in Presteigne at The Old School Hall, Hereford Street, (LD8) on Saturday 4th October -It's an evening open-mic event - starting time tbc. £5 entry and short poems if performing (30-40 lines max)

Jennie drew attention to upcoming events at the 'Poetry Pharmacy' in Bishops Castle . See:  Events in Bishops Castle – The Poetry Pharmacy

Ruth reported on Suzie's participation at the Shrewsbury poetry slam competition and Michelle reported on her performances in Ironbridge and Dudley and there was a discussion about the daunting nature of performative poetry.

We decided to postpone the next Saturday 11th October workshop until early January. Ruth will organise the January workshop on 'performance poetry and poetry slam techniques'. Date tbc.

Irena has started her Creative Writing MA course and offered to lead some of the later 2026 workshops on topics she's covering in her studies.

We shared our writing experiences during the past month which ranged from a writing retreat with no internet enabling some writing to be done every day (Ruth); writing a church history for its 175th anniversary and composing and performing a very folksy-hymn to celebrate the event (Sue); sci-fi novel writing (Adam); poetry performing and being published (Ruth, Suzie, Michelle); and course assignments (Irena). 

Jennie, Michelle and Ruth all wrote moving poems on the task to use metaphors and similes. Michelle wrote a liturgical exploration of the spirit, Ruth's poem 'The Cage' was a whole poem metaphor and Jennie's was a beautiful tribute to her mother who ran a Yorkshire shop and bakery in the mid twentieth century. Its details were vivid bringing back memories to us all.

The writing warm-up task was to write for 3 minutes a list of questions relating to 'Autumn' - as Monday was the autumn equinox. As ever we came up with dozens of different ideas.

The main writing task was to study a picture and write about what had happened in the five minutes before the picture was taken. The results ranged from broken personal and family relationships, dystopian menace, worn out teachers to surviving when a shark joins the action! The idea had been to think about using a flashback technique - which is the next writing task.

The meeting ended about 9.15pm.


NEXT MEETING: 

Tuesday 28th October 2025 in Peepo's Spirit Room, 6.30 for 7pm 

Chair:  Jennie.

WRITING TASK: 

FLASHBACK!! Begin by describing your final scene - then flashback to write the story of what led to this ending. 

Sunday, 14 September 2025

Danube Delta Biosphere Reserve: Cruising the Danube

Dunàrea Veche (old Danube) channel through the Delta Danube

On the south-eastern side of Romania, feeding into the Black Sea, is the UNESCO World Heritage site, largest European wetland reserve and second largest (and best preserved) delta in Europe after the Volga Delta. It is fed by the second largest river in Europe, the Danube, that begins life in the Black Forest at the confluence of the two streams Brigach and Breg (which I visited in 2017). Apparently boasting the third largest biodiversity in the world (surpassed only by the Great Barrier Reef and the Galapagos Islands – both of which I have visited), the Danube Delta Biosphere Reserve is home to over 300 resident and migratory bird species, with over 60% of the 4-5000 km² area still naturalised and untouched by man.

The Danube was sent from South to North by the old Hercynian hills blocking the path to the Black Sea near Constanța. It actually joins the Black Sea at Sulina, Romania’s easternmost point, forming only 5000 years ago, relatively recently in geological time. An estimated forty to sixty-seven million tonnes of alluvium is dropped into the Delta annually. Providing an ideal setting for a diversity of species are the variety of habitats ranging from marshes and lakes to floodplain forests and sand dunes, with maybe up to 25 types of ecosystem. Five percent of the Delta remains permanently above the water with tongues of accumulated silt (grinduri) supporting oak trees, willows and poplars.

For centuries, fishing communities have also lived there; with humans inhabiting the delta since prehistoric times and leaving traces of ancient Greek, Byzantine and Roman cultures. The old town of Tulcea (pron. Tulcha) is the main entry gate into the Danube Delta, an important industrial port town and where we boarded the pontoon boat. This barge-style houseboat was to be both transport and accommodation for us for our stay on the delta. The flat-bottomed vessel was towed by a tug, but also had two small motor boats attached to use for trips in the smaller channels. Minarets were visible on the skyline due to the Turkish influence of the Ottoman empire from past times.

The delta had three main channels: Chilia in the north, and from Bratul Tulcea, it then split into Sulina in the middle and Sfantu Gheorghe (Saint George) in the south. We gently cruised along Bratul Sulina until we reached Baba Rada, where the pontoon boat moored for the night.

Sulina, we learned, was a channel that had in communist times been dredged and straightened. The next morning we hopped onto the small motorboats and started exploring the maze of smaller channels, off Sulina. Once out of the main busy waterways, channels were lined with trees, grasses, bamboo or rushes. Herons and Egrets were common sights along the banks. In amongst the lilies were numerous frogs that prayed on midges and mosquitoes.

The trip took us along Dunàrea Veche (Old Danube), the original main winding channel, turning off this down a much smaller channel Bogdaproste through two ‘lakes’ – Lacul Bodaproste (God bless you for it) and Lacul Trei Iezere (Three Lakes) to Mila 23. The bird life was incredible despite the fact that we weren’t visiting in the peak season. Hooded Crows, Mallards, and numerous frogs on lily pads frequented the channels. In the first ‘lake’ Egrets, Swans, Gulls and Herons searched for food. Cormorants looked on from look out posts in the trees, while Common Terns swooped past us. Then in the distance we saw a pod of White Pelicans, the mascot for the delta.

Pelicans and cormorants were seen feeding together, accompanied by other Gulls. The large group of pelicans coordinated their swimming to drive fish towards the shallows where they could easily scoop them up. While Pelicans are surface-feeders, cormorants are deep-feeders, and gulls are opportunistic meaning several species can feed in slightly different ways within the same habitat. Egrets and Herons took the opportunity to pick off passing or escaping fish.

Mila 23, a typical delta fishing village, is about half the distance between Tulcea and the Black Sea and can be accessed only by water. It is so called because it is the name of the nautical mile along the old Sulina channel, but is important because it is considered to be the epicentre of the triangle formed by the three main channels of the Delta. We stopped for a comfort break and drink before taking a walk round the village to see the Greek Orthodox Lipovean Church. We then visited the museum dedicated to the Romanian rower and four-time Olympic Champion, Ivan Patzaichin, who was born in the village. The museum is accommodated in an 18-meter-tall tower, which has viewpoints to see across the delta and also incorporates parts of the house where Ivan Patzaichin's parents lived.

More pelicans, including a Squadron, cormorants, Kingfishers, Birds of Prey and other birds greeted us on the trip to meet the pontoon boat via channel Olduta.

During the afternoon, the pontoon boat moved along channel Sontea Veche through the Deprestunea Sontea area to our night stop on a point just before canal Mila 35 before it re-joined the Sfantu Gheorghe branch. It was incredibly dark and peaceful with only a chorus of frogs to guide us to sleep.

A shorter boat ride on the second day took us along the dual channels of Gârla Sireaşa to Lacal cu Coteţe, where there was an abundance of bird life including Lapwings, Sandpipers, Gulls, Swans, Jackdaws, Herons and Egrets. A Marsh Harrier gently cruised over the reeds. Herons, Egrets and Cormorants were in abundance in the channels.

Then it was on the main pontoon boat to return along the Sfantu Gheorghe Branch to Tulcea. The main channel leading into Tulcea was much different to the quiet and peaceful environment along the channels of the protected area of the Delta. Military ships, oil tankers, pleasure boats, cranes, construction work, houses, lined the banks rather than the greenery of the vegetation we’d just come from.

After lunch it was time to disembark and travel the four hour trip back to Bucharest.

White Pelicans, the symbol of the Danube


Sunday, 7 September 2025

The Promise by Jennie Hart

Kanya struggled with the sodden, matted black hair coating her drenched forehead. The roof of their bungalow was punctured, and gulps of rain swept through gaping holes. She was shaking at the horror of it all. Threatening storm clouds had gathered but she had had no idea a hurricane was coming. Now, filthy water gushed in under the badly fitting door and puddles round her ankles.

Niran wasn’t home, he never came when he said he would, he always broke his promise. Mostly she didn’t mind but tonight she needed him here. She couldn’t get inside his head; he was an only child and she knew for a fact he’d been spoilt but that did not excuse bad behaviour. She and Dara, her sister often laughed about the unreconstructed man Kanya had married; but it really wasn’t all that funny. She was in anguish over their daughter Mekhala who wasn’t home either; she’d gone out early to photograph the birds around the estuary and hadn’t returned. Before her accident, Kanya would often go with her, but not anymore.

The bright yellow shutters of the window facing the river rattled and banged on torn hinges. It was still light but Kanya had no idea of time. She liked the shutters, their brightness, and how they reminded her of Swiss cabins she had seen in films. She had tried to contact Mekhala and Niran but all connection was gone. The sky was dark with shades of black and granite-grey and intermittent bursts of lightening in brilliant flashes and zigzags. She thought of their garden on the bank above; of her beloved papaya tree, of Mekhala’s chillis and eggplants. ‘If the river reaches our garden, then I will be gone too, so it will no longer matter,’ she mused.

Niran taught at the high school and at the end of the day would go to the bar with his mates. It wasn’t a Gogo bar with prostitutes, just a drinking place called the Chi Bar, out of the village by the Moon Bridge. He was in a good mood after so Kanya was glad of that. He liked male company and disagreed on so many issues with Kanya that it was hard sometimes to communicate. She had been a mid-wife before her accident but now her life had changed and Niran was angry with Mekhala, blaming her for her mother’s fall. His current behaviour towards their daughter was overshadowing all their relationships.

Kanya was injured a year ago when she accompanied Mekhala on a visit to the local wild-life sanctuary. They saw beautiful birds; the Baya Weaver and the Dusky Broadbill, quite rare birds that nested in the giant Kabak trees, magnificent in their own right. On return they had found a shorter track, rocky and steep and Mekhala persuaded her mother it was easy. Mekhala was nimble but Kanya had lost her footing and fell, shattering bones in her left leg and severing nerves. A forest ranger saw her fall and got them to hospital but after several operations, the leg was still useless.

She held on to the cooker feeling the water reach the calf of her good leg but felt nothing in the damaged one. She pulled her flimsy woven jacket around her taught chest and struggled to breathe. She took a step towards her walking frame bobbing around on its side and pulled it upright. Water seeped sluggishly between the door jambs and the wooden framework, but suddenly, a surge of water forced the door open. Their home was on a shallow bank above the river but below the village. ‘I am going to die,’ she told herself, overpowered as the swirling flood welled around her knees. Unlike Niran, a Buddhist, Kanya knew her spirituality was within but at this apocalyptic moment, she prayed to Buddha, to Allah, Jehovah and Christ.

Below, she heard the spluttering of a motor, and in the half-light glimpsed a small inflatable rescue boat moving slowly. ‘Please see me! Help me! she called out, propping herself against the doorway. Mr Chan, head-teacher and colleague of Niran quietened the boat’s engine and Mr Boonya, his deputy, lashed the boat to a sturdy acacia. Mr Chan lifted Kanya and Mr Bunya, carrying the walking frame, supported him as they returned to the boat, avoiding all manner of debris. Kanya cried when she saw Dara with three other rescued villagers. The teachers had no news of Niran and Mekhala but would take the boat out again.

They sipped large mugs of warm sugary coffee and listened to the sounds of animated voices. The school hall was lit by oil lamps and candles; all services had failed. ‘I know Niran would have been in the Chi Bar,’ she said, ‘And Mekhala could have been anywhere along the river.’

Light was fading and a flickering glow radiated from the school hall above. The two men were out again in the rescue-boat. The wind still raged across the valley and the rain was unceasing but they knew for Kanya’s sake, they must get to the Chi Bar. ‘And Mekhala; that poor, poor, girl. I pray to Buddha, she did not drown in the estuary,’

The little boat pushed through uprooted trees and severed branches. For the first time they saw the stricken Chi Bar; the village and its river were becoming one and only the top of the parapets of the Moon Bridge showed. They fought against flow and moored by the building. Both wore life-jackets and head-lights and they lowered themselves into the water and tied the boat to a solitary streetlamp emerging uselessly from the river water.

Part-swimming they entered the open doorway. Stools and tables bobbed around and the men were sickened to see a body floating amongst the wreckage. ‘Dear God,’ said Mr Bunya, ‘It isn’t Niran, it’s Mr. Aromdee from the top farm; this is what I feared, I expect the music was loud and they were deep in conversation.’

The upper rungs of the wooden steps at the back of the bar leading to the floor above, were still above water. Despite the moans of the wind, they heard human crying. ‘Someone’s up there!’ whispered Mr Chan. He held on to the ladder’s frame and hauled himself into the space beneath the partly- collapsed bamboo roof followed by his deputy. They knew of the shrine there. It seemed like an anomaly, but some men, after a night of drinking, would go up to the shrine and make peace with Buddha before setting off home. Both men shone their headlights on the man outstretched before the shrine and on the whimpering young woman in whose lap his head rested. ’Dear Lord, it is Niran and Mekhala, father and daughter.’ murmured Mr Bunya. Niran’s face was bloody and he was unconscious. Mekhala was half-awake and crying, bruised on arms and cheeks, shirt torn and wet. Both men knew of the significance of Niran, a devout Buddhist, finding peace before a shrine.

There was no time to delay, Niran had a severe head wound and Mekhala was exhausted. They gave water to both from their hip-flasks which roused Mekhala

enough for her to describe her ordeal. The current had carried her to the Chi Bar. ‘It was fate. I kept my head above water by hanging onto shelves, anything. It was still light and I saw men floundering in the filth including dad. His head was bleeding but he was still conscious and we pulled ourselves up the steps and then he collapsed. I thought he was dead. I tore a strip off my shirt and wrapped it round his head. I felt his pulse; I kept him warm; I think I’ve saved my dad but I know he doesn’t love me!’ Mekhala began to cry again as if her heart were broken.

More super-human efforts from Mr Chan and Mr Bunya found father and daughter in separate wards in Ko Chang hospital. Niran’s injury had been life-threatening but Mekhala was treated for exhaustion, cuts and bruises. Today, Mekhala was to go home so when Kanya came to visit she accompanied her mother for the first time to her father’s bedside.

Niran wept as he spoke; ‘I love you Mekhala but can you ever forgive me for not being the best dad I could have been? I’ve been a bully and I am truly sorry. you saved my life and nearly lost yours. And how could I blame you for mum’s fall? I am a stupid man.’

‘And my lovely long-suffering wife, how can you bear to be with me? I am a pig, and that is an insult to a fine animal. I pray soon you can walk and live your life as you wish. But please, please try to forgive me’

Mekhala and Kanya held Niran’s hands and his voice faded as he drifted into sleep.

‘How are we going to reconstruct this man?’ Kanya said to her daughter, ‘If he doesn’t mend his ways he will have no family. ‘

Mekhala smiled and hugged her mum. ‘Praise to the female sex! We are strong and I pray dad now respects our female gender.’

‘More importantly,’ said Kanya, I pray to Buddha he will learn to keep his promise!’

Tuesday, 2 September 2025

In Memorium: Sabrina - A Potted History of Bridgnorth by Geoff Speechly

Today would have been your 95th birthday!!
2nd September 1930 - 16th March 2021
Geoff, High Town Writers still miss you and
have happy memories of performances of 'Sabrina'.

 

Sabrina, Goddess of the Severn,

Could lead a man to hell or heaven


1 - The Roman

Narrator

               The Romans came, with sword and law

               And taught crude Britons soon the score

               They worshipped gods like Zeus - and meaner

               But at Bridgnorth they found - Sabrina !

Legionnaire

               We must have marched a thousand leagues

               To conquer this benighted spot

               What would I give for a cup of wine

               Or a lusty wench that's really hot !

Sabrina 

A goodly sight, this Roman chap

               I'll see if I can catch his eye

               And if the audience doesn't clap

               I'll grab him, love him - and he'll die !

 Legionnaire

               O Bacchus ! What a wondrous sight !

               Is it a wench or a dream I see ?

Sabrina 

O, I'm a maid, I'll prove this night

               Come Roman man :I'll set you free !

               SHE KISSES HIM AND HE DIES  

 Legionnaire

               O Gods! O Sabrina! – I who am about to die salute you!


2 - The Saxon

Narrator

               The Saxons came in time of yore

               And plundered us from shore to shore

               And they were pretty rough ; none meaner

               There's not a doubt they met Sabrina….

Saxon

               What have we here ? Another town.

               For sacking and for pulling down

               We'll burn the place and kill the men

               Destroy the cock but keep the hen!

Sabrina

O rude uncultured Saxon beast

               I'll see you soon regret this feast

               For Bridgnorth maids and Bridgnorth men

               Sabrina's spell will work again

Saxon   

Great balls of fire! A hefty wench

               This dish I'll taste without a wrench

               Come lass, let's frolick in the hay

               You'll not forget this joyful day!

Sabrina

               I'll frolick, friend, but you're the one

               Who nevermore will see the sun

 SHE KISSES HIM AND HE DIES  

Saxon   

Gott in Himmel: du hast mich  getötet… – ich sterbe!


3 - The Dane

Narrator

               In former times, despite the rain

               Our city fair was taxed by Dane

               And though their habits were much cleaner

               We know for sure they met Sabrina

Dane

               Now what's this place ? They call it Quatt !

               The name's a mess, I like it not

               Our taxmen now will sally forth

               Across the bridge to south and north

Sabrina

               This fellow's dull compared to Saxon

               He calls himself a Danish Taxman

               Ah, well, though I won't be hasty

               Let's tempt him with an English pastry!

Dane

               O Woden ! What is this I see?

               A vision yet untaxed by me !

               I'll take her measure, scribe her rune

Sabrina

               You're right, my Dane, come take my boon !

 SHE KISSES HIM AND HE DIES  

Dane

               Valhalla – I come!


4 - The Norman

Narrator

               In elevenhundredand twenty-two

               Which Bridgnorthmen e'er will rue

               The Normans came and built their keep

               And tried to turn us all to sheep

Norman

               We brought our culture to this land

               Rude English  habits we have banned

               Now Lords and Ladies  served by serf

               Can all enjoy our Norman earth

Sabrina

               These Norman gangsters must be humbled

               Methinks his tongue of "ladies" stumbled

               Let's see if ancient English lore

               Tonight our honour can restore…

Norman

               Mon Dieu! Quelle beauty do I see

               Ma chėre, what luck for you to meet with me

Sabrina

               Indeed your fortune's doubly blessed

               Now I'm the host and you're the guest!

 SHE KISSES HIM AND HE DIES  

Norman

Elle m’a tuè! Quand même; Vive l’amour !


5 - The Welshman

Narrator

             The Marches dripped with blood; impaled

               On Welsh ambition our English town

               Became a field of battle and renown

Welshman

               By Cardiff, Anglesey or Rhyll

               Never before did my heart thrill

               To see so soft an English village

               Ripe-ready for Welsh guile and pillage

Sabrina

               The cheeky Celt! How dare he gloat

               Before he's even crossed my moat

               I'll tease him, be so coy and meek

               And then I'll parboil up his leek !

Welshman

               By Llanfairfechan and Glendower

               I've never seen so fine a flower

               Come, English Maid, and be my love

               I think you're sent from heaven above

Sabrina

               Oh yes, my little laverbread

               One kiss - and then you'll find you're dead !

                SHE KISSES HIM AND HE DIES  

Welshman

               O Angeu-eth! – I die! – cymru am byth!


6- The Roundheads

Narrator

               In sixteen-hundred-and-forty-six

               In Parliament, by knavish tricks

               Our sovereign lord quite lost his head

               And Cromwell took his place instead

Roundhead

               These Royalist dogs and their cold bitches

               With Papist plots, warlocks and witches

               Shall now the power of Cromwell feel

               With Roundhead flesh and Roundhead steel

Sabrina

               This fellow's pretty hot, he thinks

               He'll get no favours from this minx

               Or rather if he dares to touch

               He'll burn from fingernail to crutch

Roundhead

               Come lass, forget your bonnie Charlie

               Now with a real man you'll parley

Sabrina

               O Soldier brave, you little know

               Just quite how far this wench will go

 SHE KISSES HIM AND HE DIES  

Roundhead

               My God – the she-devil’s cooked my goose!


7 - The Cavaliers

Narrator

               In course of time, the good Lord willed

               That Ironsides' ardour should be chilled

               So Cavaliers now roamed the land

               And freedom reigned, naught more was banned.

Cavalier

               By Royal command I've ridden far

               Please show me to the nearest bar,

               I'm thirsty and uncommon dusty

               Just find for me a girl that's lusty !

Sabrina

               Whether their heads are round or Royal

               There's but one thing that makes them boil

               I'll not object to a little loan

               But me they'll never call their own

Cavalier

Fair lady! Let me but now thy praises sing

               And I will grant thee everything

               I'll bring you lutes and daffodils

               If you would only cure my ills

Sabrina 

Such honey'd words his lips have passed

               'Tis such a pity they're his last!

 SHE KISSES HIM AND HE DIES  

Cavalier

               Thou treacherous Woman - I am undone!


8 - The Irish

Narrator

In eighteen-hundred-and-sixty-two

               The Railway came, the town pierced through

               And snorting trains with fiery funnel

               Rushed proudly through the newbuilt tunnel

Irishman

               My name is O'Malley and I came to dig

               Not to roister or rampage: although the jig

               Which I dance on a Saturday night is fine

When I ravish their women and drink up their wine

Sabrina 

               Here's importunate Dublin and confident Cork

               And sometimes there's action as well as the talk

               But they'd better take care if they tangle with me

               I'll not be seduced by a riddle-me-ree

Irishman

               Oh look at the beauty of this Bridgnorth maid

               The glory and ecstasy of how she is made!

My dear English darling, my heart's at your   feet

               I crave but a kiss, like the soup before meat!

Sabrina 

A kiss you shall have, but hungry you'll be

               For no more will you taste the sweet joys of Tralee

 SHE KISSES HIM AND HE DIES  

Irishman

               Begorrah! I’ll never drink Guinness again!`


9- The Airman

Narrator

               In nineteen-hundred-and-forty-two

               At Stanmore trained the boys in blue

               They came from every land and nation

               And Bridgnorth was their comfort station

Airman 

Saturday night, a forty-eight

               Don't miss the bus or we'll be late

               The pubs are open, the girls are willing

               I'm glad I took the Sovereign's shilling.

Sabrina

               They may be rough at times I know

               But when to war the lads must go,

               They do deserve a little fun

               Before they face the horrid Hun.

Airman

               Good ‘eavens! Miss, you're quite the best!

               You're even better than Mae West!

Sabrina

               Farewell, my friend, away you fly

               Not from my lips will I send you die

               I must be getting sentimental

               I though he was, though rough, quite gentle

               WAVES AIRMAN AWAY


10-The Tatung

Narrator

               From cleverness born in the East

               In Low Town grew a powerful beast

               Where once the peasants listless hung

               To Bridgnorth came- and later went - Tatung

Tatung

               This occidental place is strange

               They do not know our latest range

               And if a salaryman feels randy

               All he can do is dream with brandy

Sabrina

               It's sad our friends from the Pacific

               Now have gone - but it’s terrific

               That they're not really far abroad

               But ten miles north to great Telford

               EXIT TATUNG WITH ORIENTAL BOW

11-The Tourist

Narrator

In nineteen-hundred-and-eighty-five

               Bridgnorth really came alive

               Divorced from juggernaut and truck

               Relying on part skill, part luck

               The By-pass-men did pass us by

               And tourists now to us do fly

Tourist

               I am the Tourist, last of all

               Now to Sabrina's wiles I'll fall

               But will she accept me? What must I give?

               Can I but love her, and still live?

Sabrina

               Yes sir, you can; the others' mistake

               Was never to give but only to take

               So welcome, Stranger, come to my arms

               And I will enfold you in my charms.

               THEY KISS  

 

WHOLE CAST

               So friends, you've heard our wondrous story

               This land is part of England's glory

               So join with us this lovely day

               And shout aloud Hurray - Hurray !

                              HURRAY!!!

Friday, 29 August 2025

August 2025 HTW Minutes


 High Town Writers Meeting 26th August 2025 7pm-9.30pm


Chaired by: Ruth Broome

In attendance: Adam, Fiona, Liz, Ruth, John, Michelle, Suzie, Stuart, Jennie

Apologies: Irena and Sue


1. Housekeeping – 

Thankyou to Stuart for hosting the summer barbecue. He put on a formidable spread of food and some fantastic cooking.The setting was beautiful and it was a glorious day, everyone agreed.

Reminders of Upcoming Meetings – 

Next meeting 23rd September – Liz to chair

Followed by 11th October Workshop – suggestions so far for topics; how to get published and how to get into performance poetry. 


2. Member Updates – 

What has everyone been doing in terms of their writing during the past month?

Suzie has had another piece published and has been picked to perform at the Shrewsbury Poetry slam on the 6th September at the Shropshire Wildlife Trust (Abbey Foregate). Tickets cost £10 and are available here; The Poetry Slam 2025
Michelle attended a local festival and was inspired by the poetry performances she saw, she is also trying her hand at writing liturgy poetry. She is signed up to start an 8 week writing course in Ludlow starting in September.
Ruth has been working on finishing off her pieces she wrote during her online poetry circle and submitting them to literary magazines. She also attended the live poetry event (with Suzie) at the Bridgnorth Library and she visited the Poetry Pharmacy in Bishops Castle which she highly recommends (Jennie reported that Irena’sbrothers book (George Sirtzes) is available to purchase from there.
Fiona attended the Music and Arts festival where she was showing her art works, one which was sold during the weekend.
Adam habeen writing the third chapter of his Sci-Fi novel.

 

3. Homework from last time 

On the theme of show don’t tell we were asked to write a piece about somewhere we have visited or come from without naming the town. Stuart, Suzie, Michelle, John, Ruth, Adam and Jennie all read out their pieces.

 

4. Writing Exercise Show Don’t Tell/Imagery

Ruth set a writing task supporting members to practice/develop their skills of writing original imagery, specifically metaphor and simile. (See Ruth’s notes below *)


5. Homework – write a piece of prose or poetry which incorporates some of the imagery (similes and metaphors) you have generated in the meeting or using your list of abstract and concrete nouns

 

6. Any Other Business – Liz drew the groups attention to the archive of work written by members which is now stored in the blog.


*Ruth’s notes:

Mastering the art of “show, don’t tell” enriches your narrative and captivates your readers. It brings your story to life, painting vivid pictures and evoking deep emotions. One technique to ‘show’ more in your writing is the use of imagery, i.e. metaphor and simile.

Simile

A simile is a literary device whereby you liken one thing to another, using the word like or as. Sometimes we use similes in everyday language: describing someone as being as sick as a parrot, for instance. By using like or as, readers can recognize that they should suspend their disbelief for the comparison and they are being invited to notice that X is likeY.

Examples of Similes

Mary Oliver – ‘When Death Comes’

‘When death comes like an iceberg between the shoulder blades’

‘When death comes like the hungry bear in autumn’

A simile is often more obvious than a metaphor because of ituse of like or as—those two words act as flags to indicate to readers that the comparison is a simile. Metaphors are more tricky in their nature as they attempt to convince readers that X is Y which requires a larger leap of faith on behalf of the reader. 

Metaphor

Is a figure of speech that expresses an action or describes an object by comparing it with other objects, which are generally not related. It is a technique which enables the writer to show the reader (through imagery) rather than tell (through description). It can also add layers to your writing by hinting at some kind of other/deeper meaning, mystery or emotion.

There are four different types of metaphors:

1. Standard Metaphor - A standard metaphor is one that compares two unlike things using the basic construction X is Y in order to ascribe a particular quality to the first. Shakespeare’s line “All the world’s a stage” is a standard metaphor. 

Kimberly L. Briones - An Ocean Of Memories

My family is the ocean around us.

My father is the hurricane,

knocking anything and everybody out of his path.

My mother is the sunshine after the storm (my father),

clearing and calming everything else.

My oldest brother is the sand,

kicked and blown away by my dad,

but warmed with care by my mom…

I am an old ship at the bottom of the sea,

lost, abandoned, but full of memories.

 

2. Implied Metaphor - An implied metaphor is a type of metaphor that compares two things that are not alike without actually mentioning one of those things. For example, “A woman barked a warning at her child.” The implied metaphor compares a woman to a dog, without actually mentioning the dog.

Maya Angelou - I Know Why the Caged Birds Sings 

But a bird that stalks

Down his narrow cage

Can seldom see through

His bars of rage

His wings are clipped and

His feet are tied

So he opens his throat to sing.

The caged bird sings

With a fearful trill

Of things unknown

But longed for still

And his tune is heard

On the distant hill

For the caged bird

Sings of freedom.

 

3. Visual Metaphor

A visual metaphor compares one thing to a visual image that suggests an association. Visual metaphors are commonly used in advertising—for example, a car manufacturer showcasing their latest sports car alongside an image of a panther. The metaphor is used to suggest the car is as slick, fast, and cool as the wild animal.

4. Extended Metaphor

An extended metaphor is a version of a metaphor that extends over the course of multiple lines, paragraphs, or stanzas of prose or poetry. Extended metaphors build upon simple metaphors with figurative language and more varied, descriptive comparisons.

Metaphors are a great way to liven up bland prose. Good metaphors are:

Image-driven. Metaphors are intended to paint a picture in the reader’s mind about a particular character or situation. When using a metaphor to describe something, make sure that the image is as vivid as possible.

Not overly complex. Metaphors don’t need to be written in the heightened language or ideas of Shakespeare; many good metaphors use everyday language and images that readers can immediately understand and relate to.

Original. This can be tough, but try and avoid clichés or metaphors that have been used in the past. Don’t pick the first comparison that comes to your mind—this is usually the easy choice, and it won’t be as powerful as your second or third idea. Compare the effect of these two metaphors, the first the easier choice and the second pushed a little further: “The snow is a white blanket” or “Th e snow is a scattering of unopened letters.”